Toolkit

Over 25 years in photography, I’ve tested a lot of gear—some I loved, some I’ve outgrown. This page is a living hub of the tools I genuinely use and trust in my studio and on location. Whether you’re just starting out or refining your workflow, here’s what’s in my kit today

Bags & Carry Gear

As a Think Tank Photo ambassador, I’ve tested just about every bag they make—and I keep coming back to the same few because they just work. Whether I’m heading out for a location shoot or flying internationally with a full kit, Think Tank has a solution that fits the way I move. From the Airport International V3.0, which protects my gear like a tank (pun intended), to the Retrospective Backpack, which blends in when I’m working street-style or on personal projects—these bags are smart, durable, and made for real working creatives.

Shop Think Tank with my link and support the brands that support working photographers like me.

SKB Waterproof Laptop Case with Sun Screen

This little foldable case is brilliant! It shields your laptop from sunlight, and its lightweight build allows me to pack and unpack quickly when on location.

SKB iSeries 31 Rolling Case with Backpack

An airline carry-on approved case that’s watertight, dustproof, and tough. It features a removable Think Tank-designed backpack, making it perfect for both short trips and full shoots.

SpeedTop 30 Backpack

My daily go-to backpack — compact, functional, and fits everything I need on the move.

Airport TakeOff™ V2.0 by Think Tank

A dual-purpose backpack and rolling trolley. Ideal for air travel with dimensions that fit cabin luggage rules and excellent storage layout.

Retrospective 7 V2.0

This classic shoulder bag mixes timeless design with modern innovations. It’s discreet, stylish, and packed with clever features photographers appreciate.

TurnStyle® 10 V2.0

A great travel photography sling. Allows quick rotation for rapid access to your gear and accessories without having to remove the bag.

SKB iSeries 31-2011-8DL Case

A rugged, waterproof, and dustproof hard case. The interior foam is customizable with dividers that keep my lenses safe and organized.

Lens Changer™ 15 V3.0

These pouches revolutionized how I shoot on the go. Worn on your belt, they keep your lenses easily swappable and your hands free.

Think Tank Thin Skin Belt

A must-have accessory when shooting in the field. I use this belt to carry my lenses — always within reach and never in the way.

My Camera System – Fujifilm GFX & X-Series

As a Fujifilm ambassador, I’ve spent years pushing the boundaries of what medium format and mirrorless systems can do. Whether I’m in the studio or on location, Fujifilm’s GFX System gives me the dynamic range, detail, and depth that I need to tell powerful visual stories.

I currently shoot with:

X100VI

My street and travel companion, always by my side.
Compact, discreet, and packed with character. Whether I’m shooting for myself or grabbing spontaneous portraits, this camera never lets me down.

X-T5

My go-to video and event camera.
Sharp, fast, and reliable—it’s the camera I trust for BTS, live events, and anything where I need to stay light and agile.

GFX100S II

Medium format power, redefined.
The GFX100S II delivers 102MP of stunning detail in a compact, lightweight body. With faster autofocus, improved image stabilization, and Fujifilm’s legendary color science, it’s built for photographers who demand large-format quality without the bulk. Ideal for fine art, fashion, and commercial work where every pixel counts.

GFX100S

Lightweight power with large format quality.
I’ve used this camera to photograph ballerinas mid-jump in vibrant, flowing dresses—and it captured every detail with stunning clarity. It’s my go-to for editorial shoots where I need speed, resolution, and the flexibility to move freely without compromising on image quality.

The Glass That Shapes My Vision

After years of shooting everything from fashion to fine art, I’ve built a lens kit that gives me creative control, portability, and precision. Each lens here earns its place in my bag—not just for its specs, but for how it helps tell the story. Whether I’m working with medium format or the X Series, these lenses support my visual language..

FUJIFILM XF 14MM F/2.8 R
A wide-angle lens with a natural, distortion-free look—perfect for environmental portraits and architectural settings. Small, lightweight, and powerful in tight spaces.

FUJIFILM XF 27MM F/2.8
A ready-to-go pancake lens that’s perfect for street and travel photography. It keeps the camera compact and discreet, making it ideal for spontaneous, intimate moments.

FUJIFILM XF 35MM F/1.8 R
Bright, fast, and lightweight. This lens is a constant in my kit for its walk-around versatility and beautiful depth. One of the best quality-to-price options in the Fujifilm lineup.

FUJIFILM XF 16–55MM F/2.8
My go-to zoom for video work. It’s sharp, reliable, and covers the essential focal lengths, earning its role as my “do-it-all” lens for hybrid projects.

FUJIFILM XF 56MM F/1.2
A portrait classic, it is incredibly sharp with dreamy bokeh—ideal for tight compositions and emotional depth. Despite its quality, it keeps the setup light and compact.

FUJIFILM XF 90MM F/2 R
This is my secret weapon for portraits. The compression and creamy bokeh make it magical. It also doubles as a tack-sharp option for landscape or fashion shoots.

LENSBABY TRIO 28MM F/3.5
When I want to break the rules or spark creative experimentation, I reach for this 3-in-1 lens. It’s playful, unpredictable, and perfect when I want to let imagination lead.

Retropia Disposable Camera Lens

Lo-fi magic, eco-conscious soul.

This little lens is a creative spark in my toolkit. Made from repurposed disposable cameras, the Retropia lens brings back that nostalgic film vibe—with all the imperfections that make an image feel alive. Sometimes the “worst” lens gives you the most soul. This is one of those.

📷 GFX System Lenses

FUJIFILM GF 120MM F/4 MACRO
My favorite for portraits and product work. Incredibly sharp and reliable, this lens never misses the details. It’s a macro lens that works just as beautifully for editorial beauty.

FUJIFILM GF 32–64MM F/4
One of the most versatile medium format zooms I own. Perfect for travel, fashion, or location work—it offers great flexibility and delivers top-tier image quality for its range.

Lighting

Lighting is everything. It sets the mood, sculpts the subject, and gives depth to your story. I use a mix of flash, continuous light, and reflectors depending on the project. Whether I’m in the studio or on location, my gear needs to be reliable, portable, and versatile.

In this section, I’ll walk you through the lighting tools I trust—from Profoto flashes to Westcott reflectors and scrims. Let’s start with the unsung heroes of lighting: reflectors.

Reflectors & Scrims

Control the Light Without Adding More

Light doesn’t always need to come from a flash. Some of the most powerful lighting tools don’t produce light at all—they shape it. These reflectors, scrims, and modifiers are essential parts of my kit. Whether I’m softening sunlight, bouncing light indoors, or creating perfect catchlights, these tools help sculpt the scene exactly the way I envision it.

Profoto Collapsible Reflector (Silver/White)
A simple, essential tool for balancing light. The silver side adds contrast and punch, while the white softens and spreads light evenly. I always recommend this to photographers just starting their light kits.

Westcott Scrim Jim White
Great for diffusing harsh light. I use it on outdoor shoots or when working with natural sunlight to create a soft, flattering result. Simple, effective, and always in my lighting bag.

Westcott Omega Reflector Kit
A standout reflector. The cut-out center lets you shoot through the reflector while controlling the light perfectly around the face. Comes with five surfaces for maximum versatility.

Westcott Eyelighter
Specifically made for beauty and portraits. Its curved shape creates beautiful catchlights that follow the natural curve of the iris—ideal for studio headshots or fashion work.

Westcott Scrim Jim Cine (Silver/White Bounce Fabric)
This one is all about control. The silver side bounces hard, specular light, while the white side gives a soft glow. I use it for both fashion editorials and on-location work where sunlight needs shaping.

Westcott Fast Flags Scrim Kit
Compact and fast to set up, this kit is perfect when I need precision flagging or diffusion. It’s especially useful in tight studio spaces or when time is limited on set.

Westcott Illuminator Reflector Kit (6-in-1)
One of the most flexible tools I own. You just zip on a different surface—silver, gold, black, white, translucent, or soft gold—depending on the look you’re going for. Total control in one compact tool.

Continuous Light

Continuous lighting plays a major role in both my photography and video projects. Whether I’m crafting cinematic scenes or lighting a quick portrait, these tools let me see my light in real time. What I look for: portability, flexibility, and color accuracy. These are the continuous lights I trust in the studio and on location.

Peragos Head 150C Multi-Color RGBW LED Monolight
A full-featured, color-tunable LED monolight that gives me full-spectrum RGB output and multiple modes. Whether I’m lighting a scene for content creation or setting a mood for a creative shoot, this light gives me flexibility and accuracy in one compact form.

Peragos Disk 30C RGBWW Video Light
Small but powerful. This round, compact light is perfect for accent lighting and creative effects. With full RGB control and color temperature adjustment, it’s my go-to for visual storytelling when I want something expressive, colorful, or moody.

Westcott Ice Light
A compact LED wand that’s ultra-portable and daylight-balanced. I use this handheld light for run-and-gun setups or soft fill on location. It’s lightweight but delivers a clean, soft beam that flatters skin and contours beautifully.

Flex Cine Daylight Mat 1-Light Set
This pliable LED mat gives me control and coverage, even in tricky setups. With a 5600K daylight output and up to 97 CRI, it delivers clean, flicker-free light that’s perfect for interviews, product shoots, or editorial work. I love how it wraps around a subject for soft, even illumination.

Flash Triggers

The Silent Heroes of Light Control

Good light starts with a good connection. Triggers are a critical part of my setup—ensuring every flash fires exactly when and how I want it to. Whether I’m shooting in the studio, underwater, or on location, these tools keep my lighting synced and my workflow smooth. Profoto Connect

This small, intuitive trigger is my go-to when working with the Profoto A1 or underwater with my Outex gear. It’s minimalist and portable, with auto and manual modes that make it effortless to use in fast-paced environments.

Flash Lighting

Power, Precision, and Portability

When it comes to flash, I rely on lighting that’s fast, reliable, and built to perform—whether I’m in the studio or shooting on location. I use both Profoto and Westcott systems because they offer unmatched color consistency, output control, and versatility. Each piece in my flash kit serves a distinct role, giving me the freedom to shape light exactly how I need it.

Profoto Air Remote
An essential in my daily kit. The Air Remote gives me full wireless control over my Profoto flashes. I use it on nearly every shoot—it’s reliable, easy to adjust on the fly, and lets me focus on the creative without interruptions.

Westcott FJ-X2m Universal Trigger
This versatile trigger works seamlessly across multiple camera brands, including Canon, Nikon, Sony (with adapter), Fuji, Panasonic, and Olympus. I use it with my Westcott FJ400 setup to maintain consistent wireless control, no matter the body I’m using.

Profoto A1 Studio Light
This isn’t just a flash—it’s a portable studio light. With a built-in modeling light and fast recycle time, I can see results in real time. Perfect as an on-camera flash or as part of a multi-light setup, it’s compact enough to take anywhere but powerful enough for professional results.

Profoto B10 OCF Flash Head
This head revolutionized location lighting. It’s incredibly compact yet delivers studio-level performance. I use it for dynamic shoots where mobility and fast setup matter. The quality is unbeatable, and it’s easy to pair with modifiers on the go.

Profoto B10 Plus OCF Flash Head
Everything I love about the B10—but with more power. It’s a true workhorse. I use it both in-studio and on location, and one of its best features is dual power use: battery or plugged in. It’s become a must-have for shoots where I need that extra boost.

Westcott FJ400 Strobe 2-Light
Incredibly dependable and color-accurate. The FJ400 delivers consistent output and quick recycle time. It’s portable but powerful—perfect for high-volume sessions and creative sets alike. With AC/DC flexibility and 400Ws of output, it fits seamlessly into any shoot flow.

Creative Lighting & Light Painting

When Light Becomes the Brush

Sometimes, lighting isn’t just about illuminating—it’s about storytelling. Light painting lets me step out of traditional boundaries and create images that feel more like moving memories than static photos. I use this kit to experiment with long exposures, colors, and surreal visual effects that bring energy and emotion into the frame.

LIGHT MODIFIERS

Light is everything — but how you shape it is what defines your style. Light modifiers are the tools I use to control softness, direction, and contrast. Whether I’m shooting a polished fashion editorial, a raw portrait, or a detailed product still, the right modifier makes all the difference. From softboxes and umbrellas to grids and beauty dishes, each piece in my kit serves a unique purpose. Some are compact and quick to set up on location, others are built for precision in the studio. What matters is knowing how to use them to bring your creative vision to life.

BEAUTY DISH

This is the classic — and for good reason. It gives a beautiful mix of soft and directional light. I’ve never met someone who didn’t love how they looked under a beauty dish.

AMBITFUL AL-16 Bowens / Profoto Mount Conical Optical Focalize Condenser
One of my favorite tools for adding drama and precision. This optical snoot-style condenser comes with 8 colored gels and 16 gobos, allowing me to project patterns or shapes with incredible focus. It’s perfect for creative portraits or theatrical lighting.

PROFOTO OCF COLOR EFFECTS / OCF GEL KIT
I love the creative freedom gels give me. Whether I’m adding subtle warmth, balancing color temperatures, or creating bold looks, these Profoto OCF gels help me shape mood and tone with light. They’re fast to mount and perfect for experimenting with color.

PROFOTO GRID HONEYCOMB FOR OCF

I use this all the time for product photography. It controls spill, adds contrast, and helps you direct light exactly where you want it.

WESTCOTT BRUCE DORN STRIP BANK

A slim-profile softbox that’s quick to set up and easy to travel with. Great for adding edge light or shaping highlights on product and portrait shoots.

WESTCOTT RAPID BOX SWITCH 1X4

This box is all about speed and control. It’s designed to let you swap lights in seconds, and its deep profile gives you tight, directional light — perfect for rim or hair light setups. with egg crate diffusion.

WESTCOTT STRIP 1X6

This is my go-to when I need a strong edge or kicker light. The long, narrow shape is perfect for sculpting form and separation — a studio essential.

PROFOTO 5’ RFI OCTA SOFT BOX

Large, soft, and stunning. I use this mostly for full-body shots or groups when I want soft light that still gives dimension and detail.

PROFOTO DEEP UMBRELLA DIFFUSER

One of my favorite accessories. It’s fast to set up and gives beautiful, soft light — ideal for portraits or fashion shoots where skin tone and texture matter.

PROFOTO DEEP TRANSLUCENT UMBRELLA EXTRA

This one is all about soft diffusion. Light passes through and wraps around the subject beautifully, creating flattering shadows.

PROFOTO DEEP SILVER UMBRELLA EXTRA

When I want contrast and crispness, this is my pick. The reflective silver interior gives more specular highlights and controlled shadows.

UMBRELLA DIFFUSER

A simple but effective accessory. It cuts the light output and softens shadows even more — perfect for those subtle tweaks in lighting.

WESTCOTT HALO ROUND SOFT BOX

This is the budget hero. Lightweight, fast to set up, and surprisingly good light quality — a great option when working fast or shooting on location.

WESTCOTT RAPID BEAUTY DISH

This folds down like a softbox but gives that punchy, sculpted look you get from a traditional beauty dish. Ideal for headshots and beauty work.

Camera Straps

Having the right camera strap is all about comfort, speed, and peace of mind. Whether I’m on set, traveling, or shooting street style, straps keep my gear secure and ready to use at a moment’s notice. Here are a few I rely on most:

BlackRapid Cross Shot Orange Camera Sling
Bright, lightweight, and practical — this sling gives me fast access to my camera while keeping it secure across my body.

BlackRapid Sport Left Breathe Camera Sling
Ergonomically shaped for comfort, especially during long sessions. The left-sided design is perfect for my setup and keeps things balanced.

BlackRapid Wrist Strap
When I want to travel light or shoot low-profile, this wrist strap keeps my camera close and protected without any bulk.

Storage Solutions

Storage is the backbone of any photographer’s workflow. From lightning-fast cards on set to rugged SSDs in the field and massive drives for long-term archiving, having a dependable system is non-negotiable. Over the years, I’ve built a storage workflow that’s secure, fast, and client-ready — both on the go and in the studio.

As a proud SanDisk Ambassador since 2010, I trust their gear in every critical moment. Here are the storage tools I rely on daily:

SANDISK 128GB EXTREME PRO 300MB/SEG UHS-II V90
My favorite cards. The Extreme Pro range has all the qualities I need — ultra-fast read/write speeds and reliable performance. It keeps up with high-res files, bursts, and 4K+ video with ease.

📍G-SPEED SHUTTLE THUNDERBOLT 3 WITH EV SERIES BAY ADAPTERS – 20TB
Years of work live on this drive. Knowing it’s all in one place brings me peace of mind. I keep two additional units off-site for redundancy and disaster recovery.

📍G-SPEED SHUTTLE XL WITH THUNDERBOLT 3 – 40TB
This is my main archive, storing everything I’ve created professionally over the years. It’s fast, reliable, and the G-Technology build quality never fails.

G-DRIVE ARMORLOCK SSD
Tough, secure, and professional. The ArmorLock’s biometric encryption and rugged design make it perfect for travel or high-stakes shoots where security matters.

📍G-TECHNOLOGY 2TB G-DRIVE USB 3.1 SSD
This is my daily companion. Compact, fast, and dependable — I use it to keep current projects close at hand no matter where I am.

📍MY CLOUD HOME FROM WD – 3TB
My go-to for cloud-based file access. I can check files from my phone, laptop, or studio computer. Great for team collaboration and remote proofing.

📍G-DRIVE MOBILE USB-C FROM G-TECHNOLOGY – 2TB
Sleek and reliable, these drives are my go-to when delivering work to clients. Their clean, professional appearance makes them a great finishing touch for any project handoff.

TETHERING

Tethering is a must in any professional workflow. It allows for instant feedback, client previews, and accurate exposure and focus checks in real-time. Whether you’re in studio or on location, having reliable cables and intuitive tools like a pen tablet elevates both speed and precision.

TetherPro USB-C to 3.0 Micro-B
There’s lots of cables on any shoot, but this one is key. It connects your camera to your computer — so the bold orange color helps prevent accidents. It’s essential, reliable, and built for the job.

Wacom Intuos Pro M
If you’re used to editing with a mouse or trackpad, the switch to a pen tablet might feel strange at first. But once you adjust, it’s a game changer — speeding up the process and giving you far more control and precision when retouching.

TRIPODS

Every serious photographer needs a solid foundation. These tripods and heads are not just support gear — they’re part of the creative process. From studio stability to run-and-gun flexibility, this selection covers it all.

DOCZ2
Great for attaching to monopods or using low to the ground. It provides extra stability for unconventional setups.

Alan 2.0
The perfect balance between mobility and support. I use this carbon monopod when I need to stay light but still want steady shots.

3 Legged Thing Leo 2.0
This is the core of my support system. Compact, stable, and rugged enough for any shoot, it’s been with me through countless sessions.

AirHead VU
An innovative tripod head with a unique vision window to see the locking mechanism. I love the tactile feedback and Arca-Swiss compatibility.

MISCELLANEOUS GADGETS

Sometimes it’s the smaller accessories that make the biggest difference. Whether it’s for video, waterproofing, printing souvenirs, or stabilizing your gear — this section covers those essential extras that support my creative process.

Waterproof Camera Housing – Outex Pro Kit
If you’re shooting underwater, this is the kit. It’s the best quality-price ratio out there and keeps my camera safe in extreme environments.

BOYA BY-WM4 Pro
Simple, affordable, and incredibly effective. This lav mic system delivers clean sound and is a go-to for interviews, BTS, and light production.

Instax Share SP-3
Perfect for client shoots. I love printing a quick photo on the spot to give them a keepsake — it adds a personal touch they never forget.

Instax Link Wide
Sleek, modern, and just as useful as the SP-3. This one prints larger formats, ideal for gifting or scrapbooking visual mementos.

Atomos Ninja V
This small monitor has saved me more than once. It helps me see clearly when shooting video and adds real flexibility in set monitoring.

PMG-DUO Double Sided Video Slider (Straight/Curved)
A unique tool for smooth, cinematic slider shots. The ability to swap between straight and curved tracks adds creative variety without hassle.

SmallRig Camera Cage Kit for Fujifilm X-H1
Always mounted to my X-H1. It’s rugged, reliable, and gives me mounting flexibility for mics, monitors, or extra grips.

Zhiyun-Tech Crane 3 LAB
If I’m shooting dynamic or handheld scenes, this gimbal ensures buttery smooth footage. It’s heavy-duty and incredibly reliable.